Hello,
I remember this from the Clash Mk2 show at Vassar College (Poughkeepsie). I think they included shots of the band wandering around some local places.
Forgot to add to my review. BMC gets no reference. There’s no reference to the banks of monitors on stage (or the video production) which was seen as radical and copied by U2.
So do I, and the reader is free to draw whatever inference they wish.I also thought I remembered that in the book.
Thanks for the kind word. As far as your question goes, lots of mental energy has been spent on this board debating that issue -- I'd chalk it up to Bernie's notoriously tight-fisted policy concerning such things. Think back to the band's five-piece beginnings, in '76, as Pablo LaBritain found out -- when Bernie asked to "borrow" a copy of the rehearsal tape he'd made, and never got back! Imagine what that'd be worth now, historically speaking.Finished. A great read, carefully written and researched, academically speaking. Just one question: it sorted out that the band rehearsed constantly, most likely taped as the Lucky Demos tapes testify. How's possible nothing came out after all those years?