Hey Limeys...

[Dr. Medulla]

Road trip!

[Marky Dread]

Road trip!

Thinking of moving to Shitsville UK ?

[Dr. Medulla]

Road trip!

Thinking of moving to Shitsville UK ?

Mick's shed serves as the town hall.

[Marky Dread]

Road trip!

Thinking of moving to Shitsville UK ?

Mick's shed serves as the town hall.

If you can get in there.

[BitterTom]

Shame the great town of Bell End wasn't included. Or the fantastically named streets Butt Hole Road and Gropecunt Lane.

[Dr. Medulla]

Road trip!

Thinking of moving to Shitsville UK ?

Mick's shed serves as the town hall.

If you can get in there.

Just piles and piles of demo tapes and masters lying around. Say, Mick, what's that? Oh, just an album we recorded in 1981 but decided not to release.

[101Walterton]

Road trip!

Thinking of moving to Shitsville UK ?

Mick's shed serves as the town hall.

If you can get in there.

Just piles and piles of demo tapes and masters lying around. Say, Mick, what's that? Oh, just an album we recorded in 1981 but decided not to release.

I know Mick has his musical integrity and a level of self pride (hence his reluctance to ever let the London SS recording ever make the light of day. But do you think Muck gets how much people want to hear any scraps and crumbs that are left on the floor no matter how bad they sound.

[Dr. Medulla]

I know Mick has his musical integrity and a level of self pride (hence his reluctance to ever let the London SS recording ever make the light of day. But do you think Muck gets how much people want to hear any scraps and crumbs that are left on the floor no matter how bad they sound.

That speaks to one of the key distinctions between artists and fans (producers and consumers). Our interest is our own enjoyment and, perhaps, historical curiosity; the artist cares about the historical narrative and how much they can shape it, as well as, of course, the quality of the art. We think there's nutrition in those crumbs, the artist may see something that only lessens their overall body of work. Someone like Pete Townshend is a rare bird who seemingly wants to invite fans into his process, that our appreciation of the final product will grow if we get a better sense of how it came to be.

[Marky Dread]

I know Mick has his musical integrity and a level of self pride (hence his reluctance to ever let the London SS recording ever make the light of day. But do you think Muck gets how much people want to hear any scraps and crumbs that are left on the floor no matter how bad they sound.

That speaks to one of the key distinctions between artists and fans (producers and consumers). Our interest is our own enjoyment and, perhaps, historical curiosity; the artist cares about the historical narrative and how much they can shape it, as well as, of course, the quality of the art. We think there's nutrition in those crumbs, the artist may see something that only lessens their overall body of work. Someone like Pete Townshend is a rare bird who seemingly wants to invite fans into his process, that our appreciation of the final product will grow if we get a better sense of how it came to be.

Yes that is the sheer fascination for me. That process to something great. Townsend is a classic example.

[101Walterton]

I know Mick has his musical integrity and a level of self pride (hence his reluctance to ever let the London SS recording ever make the light of day. But do you think Muck gets how much people want to hear any scraps and crumbs that are left on the floor no matter how bad they sound.

That speaks to one of the key distinctions between artists and fans (producers and consumers). Our interest is our own enjoyment and, perhaps, historical curiosity; the artist cares about the historical narrative and how much they can shape it, as well as, of course, the quality of the art. We think there's nutrition in those crumbs, the artist may see something that only lessens their overall body of work. Someone like Pete Townshend is a rare bird who seemingly wants to invite fans into his process, that our appreciation of the final product will grow if we get a better sense of how it came to be.

And we are Clash fans whereas members of the band are fans of other bands with whom they grew up not ‘fans’ of the band they are in, Mick for example bring a mad Mott fan.

[Dr. Medulla]

I know Mick has his musical integrity and a level of self pride (hence his reluctance to ever let the London SS recording ever make the light of day. But do you think Muck gets how much people want to hear any scraps and crumbs that are left on the floor no matter how bad they sound.

That speaks to one of the key distinctions between artists and fans (producers and consumers). Our interest is our own enjoyment and, perhaps, historical curiosity; the artist cares about the historical narrative and how much they can shape it, as well as, of course, the quality of the art. We think there's nutrition in those crumbs, the artist may see something that only lessens their overall body of work. Someone like Pete Townshend is a rare bird who seemingly wants to invite fans into his process, that our appreciation of the final product will grow if we get a better sense of how it came to be.

And we are Clash fans whereas members of the band are fans of other bands with whom they grew up not ‘fans’ of the band they are in, Mick for example bring a mad Mott fan.

Right—undoubtedly he wouldn't say no to some rare MtH songs in process or whatnot. As I recall, with the TRAC tape was leaked, he wasn't thrilled but he understood why people here would want to hear it.

[Dr. Medulla]

https://mentalfloss.com/article/589782/ ... from-space

[101Walterton]

https://mentalfloss.com/article/589782/ ... from-space

I had a mate used to walk around dressed like that, no one batted an eyelid.

[Marky Dread]

That very simple riff to Ants Invasion is brilliant.

[Wolter]

I’m sorry about the PM.