Re: Unreleased working mix of Stay Free
Posted: 24 Dec 2020, 10:29am
I'm guessing the guy never got back to you about the rest of the tape? I oddly didn't hear back from my connection either.
I'm guessing the guy never got back to you about the rest of the tape? I oddly didn't hear back from my connection either.
Unfortunately not. But we'll see what happens down the line.matedog wrote: ↑24 Dec 2020, 10:29amI'm guessing the guy never got back to you about the rest of the tape? I oddly didn't hear back from my connection either.
Thank you very much!!!Heston wrote: ↑24 Dec 2020, 6:26amStay Free
http://www.filefactory.com/stream/2ebow172nt16
All the Young Punks
http://www.filefactory.com/stream/2epe4y8pczdg
Belated thanks!Heston wrote: ↑24 Dec 2020, 6:26amStay Free
http://www.filefactory.com/stream/2ebow172nt16
All the Young Punks
http://www.filefactory.com/stream/2epe4y8pczdg
Wouldn't mind some damn Super Deluxe Editions.Chairman Ralph wrote: ↑07 Jan 2021, 6:15amAmazing find! Listening to these, pre-guitar overdubs, makes for an intimate experience, especially on the coda of All The Young Punks, which I never could make out, back in the day -- but I had lots of fun trying! Hopefully, we get to hear more of these somewhere down the line.
Sorry Marky, I'm wasn't even aware of the digital/analogue pitch thing. I just asked Matey to adjust the pitch a touch because I thought they still sounded a bit off to my slightly trained ears. I knew Andrew had done a good job pitch fixing before on This Is England so I thought I'd ask him. I just saw it as a joint effort to get them sounding as good as possible.Marky Dread wrote: ↑22 Jan 2021, 12:35pmI remixed and remastered these two tracks as the tape speed was off.
Matedog put them in concert pitch which I would never do as these tracks were recorded in the analogue age. The frequency between modern digital concert pitch and old analogue is different.
Hey man I'm not complaining. Andrew did a good job but it wasn't needed and not right for an anologue recording. Getting a sound in the studio should never be about precision but getting a natural sound to the individual group. Too many groups rely on the studio to get their sound but they lose their organic feel.Heston wrote: ↑22 Jan 2021, 1:18pmSorry Marky, I'm wasn't even aware of the digital/analogue pitch thing. I just asked Matey to adjust the pitch a touch because I thought they still sounded a bit off to my slightly trained ears. I knew Andrew had done a good job pitch fixing before on This Is England so I thought I'd ask him. I just saw it as a joint effort to get them sounding as good as possible.Marky Dread wrote: ↑22 Jan 2021, 12:35pmI remixed and remastered these two tracks as the tape speed was off.
Matedog put them in concert pitch which I would never do as these tracks were recorded in the analogue age. The frequency between modern digital concert pitch and old analogue is different.
That's fair enough mate, why not upload your versions?Marky Dread wrote: ↑22 Jan 2021, 1:28pmHey man I'm not complaining. Andrew did a good job but it wasn't needed and not right for an anologue recording. Getting a sound in the studio should never be about precision but getting a natural sound to the individual group. Too many groups rely on the studio to get their sound but they lose their organic feel.Heston wrote: ↑22 Jan 2021, 1:18pmSorry Marky, I'm wasn't even aware of the digital/analogue pitch thing. I just asked Matey to adjust the pitch a touch because I thought they still sounded a bit off to my slightly trained ears. I knew Andrew had done a good job pitch fixing before on This Is England so I thought I'd ask him. I just saw it as a joint effort to get them sounding as good as possible.Marky Dread wrote: ↑22 Jan 2021, 12:35pmI remixed and remastered these two tracks as the tape speed was off.
Matedog put them in concert pitch which I would never do as these tracks were recorded in the analogue age. The frequency between modern digital concert pitch and old analogue is different.
I really hope the guy with the tape will share the rest. As in the same spirit in which Joe handed him the tape in the first place.
Yeah anybody is welcome to them.Heston wrote: ↑22 Jan 2021, 1:33pmThat's fair enough mate, why not upload your versions?Marky Dread wrote: ↑22 Jan 2021, 1:28pmHey man I'm not complaining. Andrew did a good job but it wasn't needed and not right for an anologue recording. Getting a sound in the studio should never be about precision but getting a natural sound to the individual group. Too many groups rely on the studio to get their sound but they lose their organic feel.Heston wrote: ↑22 Jan 2021, 1:18pmSorry Marky, I'm wasn't even aware of the digital/analogue pitch thing. I just asked Matey to adjust the pitch a touch because I thought they still sounded a bit off to my slightly trained ears. I knew Andrew had done a good job pitch fixing before on This Is England so I thought I'd ask him. I just saw it as a joint effort to get them sounding as good as possible.Marky Dread wrote: ↑22 Jan 2021, 12:35pmI remixed and remastered these two tracks as the tape speed was off.
Matedog put them in concert pitch which I would never do as these tracks were recorded in the analogue age. The frequency between modern digital concert pitch and old analogue is different.
I really hope the guy with the tape will share the rest. As in the same spirit in which Joe handed him the tape in the first place.
I told you about the hoops the guy wanted me to jump through to get the rest. I didn't feel like being someone's plaything so that was that. Which was a shame. He seemed a bit unhinged.