I always liked the versions from the initial part of that '81 European tour, like Amsterdam and Stockholm, and of course, this one too is great -- from an overall fabulous show. The segue from that to the lower-key version of Junco Partner makes for a really nice contrast of moods, too.Yeah, I think it is a great track, I always liked it. It would have a made a great 12", with a couple of different versions.
Some of the live version are really good as already pointed out. I think my personal favorite is from Shibuya Kokaido, Tokyo, Japan – 24th January 1982
Considering how much Mick was into the 12-inch as a format, and/or concept, it is surprising that Ivan didn't get that treatment. Then you could have done something more with the effects, which are my only issue with the recorded version -- they're a bit more prominent than they should be, and some of the vocals get lost underneath them, to me, anyway. But that's a minor complaint for a track I've always enjoyed.
The same could be said for the coda at the 48:12 mark of Broadway, which really kicks the song into the stratosphere. Or Fender Stratosphere, I suppose, given the context here.About halfway through the track, around the 1.40 mark (39.12 in the full gig video linked above), they all lock in and it gets intense. pure rock'n'roll goodness.