Oh sick. I hadn't realized they'd been doing much lately. Exciting!Kory wrote: ↑13 Jun 2023, 3:03pmRelevant to our now-shared interests: https://top40-charts.com/news.php?nid=180827
The Clash observations thread.
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Flex
- Mechano-Man of the Future
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Re: The Clash observations thread.
Wiggle, wiggle, wiggle like a bowl of soup
Wiggle, wiggle, wiggle like a rolling hoop
Wiggle, wiggle, wiggle like a ton of lead
Wiggle - you can raise the dead
Pex Lives!
Wiggle, wiggle, wiggle like a rolling hoop
Wiggle, wiggle, wiggle like a ton of lead
Wiggle - you can raise the dead
Pex Lives!
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weller259
- Pitch Clock Appreciator
- Posts: 1137
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- Location: He's A Real Nowhere Man, Sitting In His Nowhere Land
Re: The Clash observations thread.
I don't know if this has been posted before, and I am far too lazy to look and see, but here is a 19 minute video of the Clash in Brighton May 25, 1977. The video quality isn't great, the sound quality isn't great. Found this on a torrent site the other day.
https://mega.nz/file/So8SWBpL#NG65Cy7dk ... 4Oo8hkC_oc
https://mega.nz/file/So8SWBpL#NG65Cy7dk ... 4Oo8hkC_oc
From what I see there's still a little hope
That's if we don't hang from too much rope
That's if we don't hang from too much rope
Re: The Clash observations thread.
Hello,weller259 wrote: ↑19 Jun 2023, 9:53pmI don't know if this has been posted before, and I am far too lazy to look and see, but here is a 19 minute video of the Clash in Brighton May 25, 1977. The video quality isn't great, the sound quality isn't great. Found this on a torrent site the other day.
https://mega.nz/file/So8SWBpL#NG65Cy7dk ... 4Oo8hkC_oc
Thanks! Given the time frame and all, I thought the quality of the video and sound weren't bad at all.
Re: The Clash observations thread.
Thanks, your version is a bit better than one I downloaded from YT years ago.weller259 wrote: ↑19 Jun 2023, 9:53pmI don't know if this has been posted before, and I am far too lazy to look and see, but here is a 19 minute video of the Clash in Brighton May 25, 1977. The video quality isn't great, the sound quality isn't great. Found this on a torrent site the other day.
https://mega.nz/file/So8SWBpL#NG65Cy7dk ... 4Oo8hkC_oc
God, what a mess, on the ladder of success
Where you take one step and miss the whole first rung
Where you take one step and miss the whole first rung
Re: The Clash observations thread.
I don't know how anyone could listen to the Lyceum show from the SS box and still think that Paul couldn't play.
"Suck our Earth dick, Martians!" —Doc
Re: The Clash observations thread.
What songs/parts I’m particular stick out?
Look, you have to establish context for these things. And I maintain that unless you appreciate the Fall of Constantinople, the Great Fire of London, and Mickey Mantle's fatalist alcoholism, live Freddy makes no sense. If you want to half-ass it, fine, go call Simon Schama to do the appendix.
Re: The Clash observations thread.
Nothing shocking really, I was just listening to it while doing some work and I think it was during English Civil War that I pricked up my ears, and then Stay Free drove it home. But the bass sounds great, it doesn't have that farty sound that a lot of people criticize him for live, he's solid, and playing way more than just root notes. Of course that's required in Stay Free, but it just made me kind of laugh to think of people that think he's not good at his instrument. He's not as good at it as Mick, of course (and I still think I can tell when Mick is playing on record vs. Paul), but certainly capable.
"Suck our Earth dick, Martians!" —Doc
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Marky Dread
- Messiah of the Milk Bar
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Re: The Clash observations thread.
Completely agree with this.Kory wrote: ↑23 Jun 2023, 3:56pmNothing shocking really, I was just listening to it while doing some work and I think it was during English Civil War that I pricked up my ears, and then Stay Free drove it home. But the bass sounds great, it doesn't have that farty sound that a lot of people criticize him for live, he's solid, and playing way more than just root notes. Of course that's required in Stay Free, but it just made me kind of laugh to think of people that think he's not good at his instrument. He's not as good at it as Mick, of course (and I still think I can tell when Mick is playing on record vs. Paul), but certainly capable.
Forces have been looting
My humanity
Curfews have been curbing
The end of liberty
We're the flowers in the dustbin...
No fuchsias for you.
"Without the common people you're nothing"
Nos Sumus Una Familia
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Silent Majority
- Singer-Songwriter Nancy
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- Location: South Londoner in the Midlands.
Re: The Clash observations thread.
Geers Kevin and I on the sophomore
Re: The Clash observations thread.
Did I miss S/T? Good stuff guys. Never really thought about the humbling lyrics of SEH making the call to arms on ECW that much more impactful. Still can’t get into anything after track three though…
Look, you have to establish context for these things. And I maintain that unless you appreciate the Fall of Constantinople, the Great Fire of London, and Mickey Mantle's fatalist alcoholism, live Freddy makes no sense. If you want to half-ass it, fine, go call Simon Schama to do the appendix.
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Silent Majority
- Singer-Songwriter Nancy
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- Joined: 10 Nov 2008, 8:28pm
- Location: South Londoner in the Midlands.
Re: The Clash observations thread.
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Silent Majority
- Singer-Songwriter Nancy
- Posts: 18757
- Joined: 10 Nov 2008, 8:28pm
- Location: South Londoner in the Midlands.
Re: The Clash observations thread.
Let's ask AI about Clash minutiae.
Q: What is the song Joe Strummer - Cowboy Mouth really, about CHATGPT?
"Cowboy Mouth" is a song by Joe Strummer, the former lead vocalist of The Clash. The song appears on his solo album "Earthquake Weather," which was released in 1989. Like many artistic works, the interpretation of song lyrics can vary based on individual perspectives, but I can offer you a general analysis of the song's themes and potential meanings.
"Cowboy Mouth" is known for its enigmatic and metaphorical lyrics, making it open to multiple interpretations. The song touches on themes of identity, communication, and personal struggles. Some possible interpretations include:
Identity and Authenticity: The term "Cowboy Mouth" can be seen as a metaphor for someone who is outspoken, honest, and unafraid to speak their mind. The song might explore the idea of staying true to oneself and expressing one's thoughts and feelings openly.
Communication and Expression: The song's lyrics mention "talking with the cowboy mouth," which could reflect the importance of open and honest communication. It might suggest that real understanding and connection come from expressing oneself genuinely, without filtering thoughts or words.
Individualism and Rejection of Conformity: The song could be a commentary on the pressure to conform to societal norms and expectations. The "cowboy mouth" could symbolize a rejection of these norms in favor of individuality and nonconformity.
Struggles and Challenges: The lyrics allude to struggles and battles, such as "cowboy's lonely fight." This could represent the personal battles and challenges we all face in life, and the song might be about finding the strength to confront and overcome them.
Joe Strummer's Personal Expression: Given that Joe Strummer was a highly influential musician known for his outspoken nature and commitment to his beliefs, the song might also reflect his own experiences and perspectives as an artist and individual.
It's worth noting that Joe Strummer's lyrics often contain layers of meaning and can be quite poetic and abstract. The song's interpretation can also be influenced by the listener's personal experiences and emotions. As with any work of art, there is no definitive "correct" interpretation, and listeners are encouraged to find their own connections and meanings within the lyrics.
Q: What is the song Joe Strummer - Cowboy Mouth really, about CHATGPT?
"Cowboy Mouth" is a song by Joe Strummer, the former lead vocalist of The Clash. The song appears on his solo album "Earthquake Weather," which was released in 1989. Like many artistic works, the interpretation of song lyrics can vary based on individual perspectives, but I can offer you a general analysis of the song's themes and potential meanings.
"Cowboy Mouth" is known for its enigmatic and metaphorical lyrics, making it open to multiple interpretations. The song touches on themes of identity, communication, and personal struggles. Some possible interpretations include:
Identity and Authenticity: The term "Cowboy Mouth" can be seen as a metaphor for someone who is outspoken, honest, and unafraid to speak their mind. The song might explore the idea of staying true to oneself and expressing one's thoughts and feelings openly.
Communication and Expression: The song's lyrics mention "talking with the cowboy mouth," which could reflect the importance of open and honest communication. It might suggest that real understanding and connection come from expressing oneself genuinely, without filtering thoughts or words.
Individualism and Rejection of Conformity: The song could be a commentary on the pressure to conform to societal norms and expectations. The "cowboy mouth" could symbolize a rejection of these norms in favor of individuality and nonconformity.
Struggles and Challenges: The lyrics allude to struggles and battles, such as "cowboy's lonely fight." This could represent the personal battles and challenges we all face in life, and the song might be about finding the strength to confront and overcome them.
Joe Strummer's Personal Expression: Given that Joe Strummer was a highly influential musician known for his outspoken nature and commitment to his beliefs, the song might also reflect his own experiences and perspectives as an artist and individual.
It's worth noting that Joe Strummer's lyrics often contain layers of meaning and can be quite poetic and abstract. The song's interpretation can also be influenced by the listener's personal experiences and emotions. As with any work of art, there is no definitive "correct" interpretation, and listeners are encouraged to find their own connections and meanings within the lyrics.
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Flex
- Mechano-Man of the Future
- Posts: 35999
- Joined: 15 Jun 2008, 2:50pm
- Location: The Information Superhighway!
Re: The Clash observations thread.
Lmao, amazing
Wiggle, wiggle, wiggle like a bowl of soup
Wiggle, wiggle, wiggle like a rolling hoop
Wiggle, wiggle, wiggle like a ton of lead
Wiggle - you can raise the dead
Pex Lives!
Wiggle, wiggle, wiggle like a rolling hoop
Wiggle, wiggle, wiggle like a ton of lead
Wiggle - you can raise the dead
Pex Lives!
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Dr. Medulla
- Atheistic Epileptic
- Posts: 116752
- Joined: 15 Jun 2008, 2:00pm
- Location: Straight Banana, Idaho
Re: The Clash observations thread.
"Ain't no party like an S Club party!'" - Richard Nixon, Checkers Speech, abandoned early draft
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Silent Majority
- Singer-Songwriter Nancy
- Posts: 18757
- Joined: 10 Nov 2008, 8:28pm
- Location: South Londoner in the Midlands.
Re: The Clash observations thread.
Last interaction with our future overlords:
What do Paul Simonons vocals sound like?
ChatGPT
Paul Simonon's vocals are characterized by a distinctive raspy quality that adds a raw and emotive element to his singing. His voice has a rugged and gritty texture that fits well with the punk and rock genres that The Clash were known for. While not traditionally known as a lead vocalist, Simonon's occasional lead vocal performances brought a unique flavor to The Clash's songs.
Here are some key characteristics of Paul Simonon's vocals:
Raspy Tone: Simonon's voice has a rough and raspy quality that can evoke a sense of urgency and intensity. This texture gives his vocals a gritty and lived-in quality that aligns with the rebellious spirit of punk music.
Expressive Emotion: Simonon's singing often carries a sense of emotion and conviction. His vocals can convey feelings of anger, frustration, or even vulnerability, depending on the song's context.
Limited Range: While Simonon's vocal range might not be as expansive as some professional singers, his voice has a unique character that works well within The Clash's energetic and passionate music.
Punk Aesthetic: Simonon's vocals align with the DIY ethos of punk music. His singing is more about conveying emotion and attitude rather than adhering to traditional notions of vocal technicality.
Occasional Lead Vocals: Paul Simonon took lead vocal duties on a few songs for The Clash, such as "Guns of Brixton" and "Look Here." These performances showcase his distinct vocal style and offer a contrast to the lead vocals of other band members like Joe Strummer and Mick Jones.
In summary, Paul Simonon's vocals are an integral part of The Clash's sonic identity. His raspy and emotive singing style contributed to the band's raw energy and rebellious attitude, making his occasional lead vocal performances stand out in the band's catalog.
What do Paul Simonons vocals sound like?
ChatGPT
Paul Simonon's vocals are characterized by a distinctive raspy quality that adds a raw and emotive element to his singing. His voice has a rugged and gritty texture that fits well with the punk and rock genres that The Clash were known for. While not traditionally known as a lead vocalist, Simonon's occasional lead vocal performances brought a unique flavor to The Clash's songs.
Here are some key characteristics of Paul Simonon's vocals:
Raspy Tone: Simonon's voice has a rough and raspy quality that can evoke a sense of urgency and intensity. This texture gives his vocals a gritty and lived-in quality that aligns with the rebellious spirit of punk music.
Expressive Emotion: Simonon's singing often carries a sense of emotion and conviction. His vocals can convey feelings of anger, frustration, or even vulnerability, depending on the song's context.
Limited Range: While Simonon's vocal range might not be as expansive as some professional singers, his voice has a unique character that works well within The Clash's energetic and passionate music.
Punk Aesthetic: Simonon's vocals align with the DIY ethos of punk music. His singing is more about conveying emotion and attitude rather than adhering to traditional notions of vocal technicality.
Occasional Lead Vocals: Paul Simonon took lead vocal duties on a few songs for The Clash, such as "Guns of Brixton" and "Look Here." These performances showcase his distinct vocal style and offer a contrast to the lead vocals of other band members like Joe Strummer and Mick Jones.
In summary, Paul Simonon's vocals are an integral part of The Clash's sonic identity. His raspy and emotive singing style contributed to the band's raw energy and rebellious attitude, making his occasional lead vocal performances stand out in the band's catalog.